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== Empiezos ==
Amīr Khusrow nació en [[Patiyali]] en [[Etah]] Uttar Pradesh. El so padre foi Amīr Sayf ud-Dīn Mahmūd, yera un oficial [[Pueblos túrquicos|túrquico]] y miembru de la tribu Lachin de [[Transoxania]], que pertenecíen de la mesma a los [[Kara-Khitai]].<ref name=Iranica>[[Annemarie Schimmel|A. Schimmel]], "Amīr Ḵoṣrow Dehlawī", in [[Encyclopaedia Iranica]], Online Edition, 2007, ([http://web.archive.org/web/http://www.iranica.com/newsite/articles/v1f9/v1f9a089.html LINK])</ref><ref>[http://web.archive.org/web/http://www.referatu.ru/1/02/734.htm "Амир Хосров Дехлеви"], [[Gran Enciclopedia Soviética]], [[Moscú]], 1970</ref><ref name="Bashiri">[http://www.angelfire.com/rnb/bashiri/Poets/Dihlavi.html Dr. Iraj Bashiri. "Amir Khusrau Dihlavi". 2001]</ref> La so madre yera la fía de Rawat Arz, el famosu ministru de guerra de [[Balban]], y pertenecía a la tribu [[Rajput]] d'[[Uttar Pradesh]].<ref name="Bashiri" /><ref>[
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=== Vida y carrera ===
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Amir Khusrow was the author of a ''Khamsa'' which emulated that of the earlier poet of Persian epics [[Nizami Ganjavi]]. His work was considered to be one of the great classics of Persian poetry during the [[Timurid dynasty|Timurid]] period in [[Transoxiana]].
He wrote primarily in [[Persian language|Persian]] and [[Hindustani language|Hindustani]]. He also wrote a war ballad in [[Punjabi language|Punjabi]].<ref>{{cite journal|last=Tariq|first=Rahman|title=Punjabi Language during British Rule|journal=JPS|volume=14|issue=1|url=http://www.global.ucsb.edu/punjab/14.1_Rahman.pdf}}</ref> In addition, he spoke Arabic and Sanskrit.<ref name="Bashiri"/><ref>[
== Amir Khusrow and the origins of the Sitar and the Tabla ==
Amir Khusro's genius as a musician speak volumes, for he is responsible for the invention of the ''[[tabla]]''. The term tabla is derived from an Arabic word, tabl, which simply means "drum.",. Together with the invention of the ''[[sitar]]'', the grand lute. Named after a Persian instrument called the setar (meaning "three strings"). The instrument appears to have baxái from long-necked lutes taken to India from Central Asia. The first prototype instruments were invented during the Delhi Sultanate period of the 13th/14th centuries when the Persian patrons of music and poetry encouraged innovation in Indian art. The sitar flourished in the 16th and 17th centuries and arrived at its present form in the 18th century. Today it is the dominant instrument in Hindustani music. Both these instruments are the foundation of India's classical musical heritage.<ref>encyclopedia Britannnica www.britannica.com</ref><ref name="EmmertMinegishi1980">{{cite book|author1=Richard Emmert|author2=Yuki Minegishi|title=Musical voices of Asia: report of (Asian Traditional Performing Arts 1978)|url=
The development of the Tabla originated from the need to have a drum that could be played from the top in the sitting position to enable more complex rhythm structure's that were required for the new Indian [[Sufi]] vocal style of singing/chanting and [[Zikr]]. At the same time to complement the complex early Sitar melodies that [[Khusro]] was composing. The Tabla uses a "complex finger tip and hand percussive" technique played from the top, unlike the Pakhawaj and mridangam which mainly use the full palm and are sideways in motion and are more limited in terms of sound complexity.
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