Diferencies ente revisiones de «Partición de la India»

Hai una escasez de películes rellacionaes cola independencia y la partición.<ref name="Bhatia2008">{{cite book |last=Mandal |first=Somdatta |editor1-last=Bhatia |editor1-first=Nandi |editor2-last=Roy |editor2-first=Anjali Gera |title=Partitioned Lives: Narratives of Home, Displacement, and Resettlement |url=https://books.google.com/books?id=YWB0GmmoOSMC |accessdate=27 de xunetu de 2012 |year=2008 |publisher=Pearson Education India |isbn=978-81-317-1416-4 |pages=66–69 |chapter=Constructing Post-partition Bengali Cultural Identity through Films}}</ref><ref name="hindi guide">{{cite journal |last1=Dwyer |first1=R. |title=Bollywood's India: Hindi Cinema as a Guide to Modern India |doi=10.1080/03068374.2010.508231 |journal=Asian Affairs |volume=41 |issue=3 |pages=381–398 |year=2010 |pmid= |pmc=| suscripción = sí }}</ref><ref name="Sarkar2009">{{cite book |last=Sarkar |first=Bhaskar |title=Mourning the Nation: Indian Cinema in the Wake of Partition |url=https://books.google.com/books?id=wghFNlpM3PIC |accessdate=27 de xunetu de 2012 |date=29 d'abril de 2009 |publisher=[[Duke University Press]] |isbn=978-0-8223-4411-7 |page=121}}</ref> Les primeres películes rellacionaes coles circunstancies de la independencia, la partición y les remortines inclúin ''Chinnamul de Nemai Ghosh'' (Bengalí) (1950),< ref name="Bhatia2008" /> ''Dharmputra'' (1961) <ref name="vishwanath 2009" /> Lahore (1948), Chhalia (1956), Nastik (1953). ''Meghe Dhaka Tara'' de Ritwik Ghatak (Bengalí) (1960), ''Bhowani Junction'' de [[George Cukor]] (1956), ''Komal Gandhar'' (Bengalí) (1961), ''Subarnarekha'' (Bengalí) (1962); <ref name="Bhatia2008" /><ref name="ritwik journal">{{cite journal |last1=Raychaudhuri |first1=Anindya |year= 2009|title=Resisting the Resistible: Re-writing Myths of Partition in the Works of Ritwik Ghatak |journal=Social Semiotics |volume=19 |issue= 4|pages= 469–481 |doi=10.1080/10350330903361158 |ref=harv| suscripción = sí }}</ref> películes posteriores inclúin ''Garm Hava'' (1973) y ''Tamas'' (1987).<ref name="vishwanath 2009">{{cite journal |last1=Vishwanath |first1=Gita |last2=Malik |first2=Salma |year=2009 |title=Revisiting 1947 through Popular Cinema: a Comparative Study of India and Pakistan |format=PDF |journal=[[Economic and Political Weekly]] |volume=XLIV |issue=36 |pages=61–69 |url=http://www.careerlauncher.com/lstcontent/plansuppliments/attachments/40/62/REVISITING%201947%20THROUGH%20popular%20cinema.pdf |accessdate=27 de xunetu de 2012 |ref=harv |archiveurl=https://web.archive.org/web/20130921053940/http://www.careerlauncher.com/lstcontent/plansuppliments/attachments/40/62/REVISITING%201947%20THROUGH%20popular%20cinema.pdf |archivedate=21 de setiembre de 2013 }}</ref> Dende finales de la década de 1990, fixéronse más películes sobre esta tema, incluyendo delles más convencionales, como ''Tierra'' (1998), ''Tren a Paquistán'' (1998) (basada nel llibru galardonáugallardoniáu), ''Hey Ram'' (2000), ''Gadar: Ek Prem Katha'' (2001), ''Khamosh Pani'' (2003), ''Pinjar'' (2003), ''Partición'' (2007) y ''Madrasapattinam'' (2010).<ref name="vishwanath 2009" /> Los filmes biográficos de ''Gandhi'' (1982), ''Jinnah'' (1998) y ''Sardar'' (1993) tamién se trata la tema de la independencia y la partición como eventos significativos nel so guión. El drama paquistanín ''Daastan'', basáu na novela ''Bano'', resaltó la difícil situación de les neñes musulmanes que fueron secuestraes y violaes mientres la partición.